After the war, mothers of fallen soldiers came to be known as “Gold Star Mothers." In June 1928, twenty-five mothers formed the national organization of American Gold Star Mothers. In March 2, 1929, the U.S. Congress passed legislation authorizing funding for Gold Star Mothers and widows "to make a special pilgrimage to France . . . to visit the graves of husbands and sons killed in the World War. . . The trip will be free, the party being guests of the government."
However, the Gold Star Mothers organization was all white and African American mothers were even officially badly treated by government. They were transported, not as the White mothers on luxury liners, but in commercial steamers. The first group of African American women arrived on 21 July, 1930, and the second contingent arrived in Paris 25 August, 1930. This is in contrast to what we stated in Traveling Blues, based on newly found descriptions.
At Gare des Invalides
Members mainly from Benny Peyton, Leon Abbey and Noble Sissle’s orchestras met up on 21 July and played at Gare des Invalides. Noble Sissle and Ada “Bricktop” Smith, who was present, organized this event. Tommy Ladnier was one of the musicians.
The Pathé film clip
Pathé filmed the Gare des Invalides appearance, and the film has been for a long time in the Pathé archive. Unfortunately, there was no surviving information on the clip and Pathé today announces the clip as Negro Mothers Drive in Paris (1920-1929) [sic]. Luckily, Pathé has now released the archive at YouTube, where it was found and recently correctly interpreted.
https://www.youtube.com/watch?v=UoY7ucCcOeU
The short portion with Tommy Ladnier and Arthur Briggs in slow motion can be found at
https://www.youtube.com/watch?v=sIZZYMBoYMc
At this time, many films were made with sound and it is not known if this film clip originally was with sound. Anyway, the present clip is unfortunately without sound.
On another day, the same, as well as other musicians, showed up at Gare des Invalides. From that occasion, photos showing the musicians have been preserved.
A full description of the events and containing identification of musicians can be downloaded from below. There is also a study proving the second trombonist to be George Brashear along with identification of other musicians.